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NASHVILLE NUMBER SYSTEM CHART DOWNLOAD GUITAR HOW TO
We ll also see how to display chord additions like a minor 7 and suspended 4 th. Key of G G Am Bm C D Em F# n 1 2m 3m 4 5 6m 7 For example, the verse of I Will Worship when played in the key of G has a flattened 7 chord (F). Accidentals & Additions Now we re getting to those occasional fruity chords that don t really belong to the key you re playing in. Practice Example #3 Try this sequence in as many keys as you can:!<$ ^M<%!< 5 6ħ 5. Key of D D Em F#m G A Bm C# n 1 2m 3m 4 5 6m 7 When there are two chords in a bar, sharing two beats each, you ll see them underlined like this:!<$ ^M<% What if you get a chord that just lasts one beat? You double underline that section of the bar:!< 5 v In this example, the 1 is played for three beats, the 4 for the last beat, and then 5 for a whole bar. Split Bars We ll stay in the key of D for our examples. These are written in the same way in the NNS, so: 1/3 In most songs you'll come across, that tricky seventh chord of the scale is almost always played as a 5 with a 7 in the bass: 5/7 Practice Example #2 Try this in as many different keys as you can. Slash Chords Let s switch to the key of D for our examples: Key of D D Em F#m G A Bm C# n 1 2m 3m 4 5 6m 7 You ll have seen many instances of a chord written like this: D/F# where a D chord is played with the note F# emphasized in the bass. how the relationships between chords sound the same, whichever key they re in. where the numbered chords are positioned physically on your instrument in relation to each other 2. Therefore this chord sequence is 4 bars long, with a change of chord on the first beat of each bar: 1 4 6m 5 3Ĥ Practice Example #1 Play this chord sequence in as many keys as you can comfortably play on your instrument: 1 4 6m 5 This chart will help (it's also in an image file in this pack that you'll want to keep visible throughout this guide): n Key of C C Dm Em F G Am B Key of G G Am Bm C D Em F# Key of D D Em F#m G A Bm C# Key of A A Bm C#m D E F#m G# Key of E E F#m G#m A B C#m D# Key of F F Gm Am Bb C Dm E As you play this in different keys, you ll start getting used to two things: 1. Therefore this chord sequence: G C Em D appears like this: 1 4 6m 5 A word about timing In these charts we re assuming a time signature of 4/4 unless otherwise stated, with each chord making up a whole bar. The NNS uses a position number for each of these chords, like this: Key of G G Am Bm C D Em F# n 1 2m 3m 4 5 6m 7 v A minor chord is indicated by a following dash. For example: Key of G G Am Bm C D Em F#* v * This chord is a "half-diminished" chord, but we're going to ignore that for now. Basics of the NNS Within any song, there is a normal range of specific chords available. If you're insulted, move along this isn't the guide you're looking for.
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I assume a certain amount of knowledge, and I also assume a certain amount of ignorance.
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They can be dealt with in more detail later. Experienced music theoreticians will read some of the things here and protest "except." and "unless." There are always exceptions to the rules (just to jazz things up), but I aim to provide a clear and practical guide specifically for church worship teams, so I'll frequently gloss over those exceptions. There are many more benefits which we ll notice along the way, but that's the main one for now. Think about it - no more panic scribbling out chords and writing new ones when the worship leader says "let's drop to Bb", or forgets to change capo position. Why the Nashville Number System? Learning the NNS means that a single chord chart can be applied to any key. 7 PRACTICE EXAMPLE # STRUCTURE: 1 ST & 2 ND ENDINGS RHYTHM: PUSHES JAZZY CHORDS. 6 PRACTICE EXAMPLE # ACCIDENTALS & ADDITIONS. 1 presents the Nashville Number System for worship teams 1.